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- Altiverb 7 Demo Download
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Altiverb 7 Regular and XL sound exactly the same and come with the same IRs. There are three differences: Altiverb 7 Regular supports. Up to stereo input and output; sampling rates up to 96kHz; plug-in formats on windows: aax native and vst, on mac: aax native, vst, audio unit, mas and rtas; Altiverb 7 XL supports: up to 5.1 surround in and output. Sony DRE-2000 for ALTiVERB 7 P2P 407.10 MB Digitally processed reverberation effects. With the advanced digital technology employed in the Sony DRE 2000, high-quality reverberation effects with a better signal-to-noise ratio, better frequency response and wider dynamic range can be added to incoming signals.
Let’s be honest, there are a lot of plugins available. Figuring out which is best, particularly when “best” is so subjective, is tough. For this article I want to focus specifically on reverb. I want to give you not just my favorite choices of plugins, but also a little bit about application, so that you can figure out what will likely work best for you.
By the way, these aren’t in a “ranking” order, because they all have their place and will be best in some cases but not in others.
1. Your Stock DAW Reverb
I just completed a mix for a new signee on a major last week. The feedback was very positive, particularly on my use of reverb. The two primary reverbs that I used on the record: My $3,950 Bricasti M7 (worth every penny!) and D-Verb, the stock reverb from Pro Tools. And I am not the only one. I hang with the top mixers and we talk shop. Stock plugins have their place right alongside the most expensive, flashy equipment in the world.
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Favorite use: Kick and snare drums! There’s just something about that slightly trashy tone that makes the D-Verb “Church” preset, set very short, sound awesome on drums. Also, the “hall” set super short and tucked on Trap-style hi-hats is brilliant.
2. LiquidSonics Seventh Heaven
I demo’d this very recently and it’s an instant-buy for me. I am a huge Bricasti fan. Casey, one of the designers, joined me for an interview in my Mixing With Reverb tutorial, and…hold on…I need to calm myself down…ok. So, the one problem with the Bricasti is that it’s hard to own ten of them. I probably would if I could. There have been some attempts to recreate the Bricasti sound, and LiquidSonics has been the first company that I feel has done it convincingly. It’s not the cheapest software in the world, but the quality totally justifies the price.
Favorite use: Uh, Everything. I use the real deal for my lead vocals and/or feature instrument. Everything else I’m a confident in Seventh Heaven. Particularly sweeter melodic elements like piano, acoustic guitar and strings.
3. Lexicon PCM Bundle
While 7th Heaven gets shockingly close to my M7, the Lexicon PCM bundle is literally the spitting image of the 480L. It is the same algorithm housed in both the software and the hardware, with the only difference being the converters and amplification stage in between. The Lex algorithm is simpler and requires a bit more modulation to get a smooth tone, which gives it that signature “sparkly chorusy” sound. And that can be just perfect on a number of sources.
Favorite use: Anything that needs a bit of “magic.” That can be literally almost any source.
4. Altiverb
Altiverb is the leader in convolution reverb. Most reverbs we are discussing are algorithm-based, meaning they use math to turn a source into a reverberant version. Convolution means sample-based, where an impulse is generated through a physical room or device and the resulting tail is used to model the reverb. In other words, someone stands in a room, shoots off a starter pistol and records it. That recording is then used to generate what another sound would sound like if it occurred in the same space. Altiverb is generally used more in post-production for film, but it can be great for adding realistic space to a musical environment.
Favorite use: Anything that needs to sound like it’s in a live space. Drums and ensembles across genres, Classical and Jazz if the space needs augmenting.
5. UAD Oceanway
Now if we want scary realism — the UAD Oceanway is hard to beat. Technically this is a convolution reverb, although the description frames it as “dynamic room modeling.” In my mind, that just means really really good convolution. But whatever it is, the ability to perceive front-to-back depth is crazy realistic in this plugin. I would go as far as to say that this plugin alone comes close to justifying getting a UAD system.
Favorite use: Front-to-back imaging! Background vocals, percussion, ensembles and anything that’s meant to sit in the back of the sonic field — this is my immediate go-to. I love that feeling of being able to perceive the physical distance between the front of the stereo image and the back, and I’ll often look for one element in a mix to put back there, just to give my foreground an even greater sense of forwardness.
6. Waves Rverb
Now, I don’t use Rverb a lot. But there are two places where I like it. I like it very subtly on rap vocals. There’s this graininess that can add space while keeping things feeling not-too-polished. And I like it while tracking. This is very important! A lot of artists like to have reverb in their cue sends while cutting vocals — it helps them get into the vibe. With the more latency-inducing plugins, this isn’t really possible. However, Rverb is a pretty good reverb with very little latency.
Favorite use: I just told you. Tracking.
7. FabFilter Pro-R
I am a FabFilter fanboy, for sure. The FabFilter Pro-R is a very clean, open sounding reverb. It’s also super customizable (as are most FabFilter plugins). Now, we don’t always want clean and open. In fact, the Fab Pro-R is frequently the worst choice of verb for the job. But when we do want clean and open, nothing can beat it. Not my expensive outboard. Not a real room or echo chamber or plate. It’s kind of king of the heap in that regard.
Favorite use: EDM. The reverbs coming off of the synths in EDM records always seem to have an unnaturally clean quality. When I need to match that vibe, Pro-R is my go-to without much thought needed.
Of course, there are many reverbs out there. Even the reverbs in NI Guitar Rig can be pretty incredible given the right application.
So, what are your favorite plugins for giving your productions some space and depth?
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Mixing with Reverb
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Altiverb 7 Demo Download
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WiN: Team AudioUTOPiA | 11 August 2016 | 4.66 GB
MAC: iND | 24 May 2015 | 3.14 GB
Altiverb 7 is the industry standard convolution reverb plug-in for Mac OS X and Windows. It features top quality samples of real spaces to create reverb, ranging from Sydney Opera House to the cockpit of a Jumbo Jet. Altiverb 7 is efficient on the cpu, offers many parameters to tweak the reverb, it is total recall automatable, and it has 64 bit support. Every month Altiverb 7 users receive new impulse responses for free.MAC: iND | 24 May 2015 | 3.14 GB
Music Spaces
The Altiverb Library of Acoustics contains the most sought after spaces for music. The main concert halls of the cities of Berlin, Los Angeles Vienna and Amsterdam for your orchestral work. Or legendary rock studios from New York or Paris. But you can also put your audio in French Cathedrals, the Gol Gumbaz of India or London's Wembley stadium.
Vintage reverb gear
Audio Ease Altiverb 7
Altiverb contains a tremendous amount of classic reverb gear and purpose built echo chambers. You'll find all the EMT plates you want, spring reverbs, classic digital gear like the 480, 224, the AMS RMX 16 or the EMT 240. Add the Frank Sinatra and Beach Boys echo chambers and you have everything you need to recreate all those classic sounds.
Altiverb 7 Demo Download
Experimental ResponsesGrab any sound from your tracks or the Finder and toss it on Altiverb to use it as an impulse response. Try piano chords, breaking glass, spoken word, thunder or a drum loop. In convolution each sample of the input is replaced by the entire impulse response. So if you use a piano chord as an impulse Response, and you clap your hands into Altiverb, out comes the chord.
Stage Positioning
An exhaustive recording session in a Viennese concert hall gave us an algorithm that allows you to accurately place your sound anywhere on stage of all our concert halls, or in any of our other rooms. Physically correct sound placement using the Altiverb Stage Positioner creates a stunningly realistic audio panorama.
Musical gates and delays
To tie your reverb effects more to your tracks Altiverb 7 features a reverb gate that is set using note values. And it is tied to your song's tempo. Any reverb tail can be reversed and handles the same way, and Altiverb's pre-delay can also be set in this manner, so it is easy to put that slap-back delay in a musical spot.
Brightness and Chaos
Altiverb Vst
The Brightness parameter closely fits a classic synthetic reverb on top of the Impulse Response. This adds a particular brightness in a way EQ never can. Toss in a bit of chaotic modulation in your reverb and not every hit will sound identical in the reverb. Slightly out of tune notes will be covered up in the reverb tail by modulation.home page
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